Breadcrumb Bacon's World / Francis Bacon's Studio Francis Bacon's Studio By Margarita Cappock Details Publisher: London: Merrell Year: 2005 Language: English Pages: 239 ISBN/ISSN: 1858942764 Other Publication Details: Incl. Foreword by Barbara Dawson, ' Francis Bacon's Studio: The Dublin Chapter', pp. 11-28. Paintings 30-03 'Portrait', 1930; p. 103 33-01 Crucifixion, 1933; pp. 103, 108, 152; ill. No. 177, p. 104 33-02 After Picasso, 'La Danse', 1933; p. 163; ill. No. 294, p. 162 (titled 'Crucifixion') 33-03 The Crucifixion, 1933; pp. 29, 103; ill. No. 178, p. 104 33-04 Composition (Figure), 1933; p. 163; ill. No. 295, p. 163 34-01 Corner of the Studio, 1934; p. 163 35-01 Figures in a Garden, 1935; p. 133; ill. No. 235, p. 133 (dated '1936') 36-02D Abstraction, 1936; p. 162; ill. No. 291, p. 161 (b&w) 36-03D Abstraction from the Human Form, 1936; p. 162; ill. No. 292, p. 161 (b&w) 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 152, 162, 205-206; ill. No. 290, p. 161 (centre panel) 45-05 Figure in a Landscape, 1945; pp. 30, 167, 212; ill. No. 29, p. 30 46-01 Figure Study I, 1945 - 1946; p. 206 46-03 Painting 1946, 1946; pp. 135, 167, 191, 206; ill. No. 244, p. 136 46-04 Landscape with Car, 1945 - 1946; p. 93; ill. No. 160, p. 92 (earlier iteration, titled 'Figure getting out of a car', dated 'c. 1939-40', b&w) 48-01 Head I, 1948; pp. 206, 225 48-02D Study for Man with Microphones, 1946 - 1948; pp. 93, 224-225; ill. No. 382, p. 226 (first state, b&w), No. 383, p. 227 (second state, b&w) 49-01 Head II, 1949; pp. 111, 212, 225 49-08 Study from the Human Body, 1949; pp. 111, 151 49-09 Study for a Portrait, 1949; p. 93; ill. No. 161, p. 93 50-02 Fragment of a Crucifixion, 1950; p. 135; ill. No. 249, p. 138 50-06 Painting, 1950; p. 111 51-09 'Figure', 1951; p. 212 (titled 'Untitled Figure') 52-01 Study for Crouching Nude, 1952; pp. 185, 199; ill. No. 318, p. 182 52-03 Dog, 1952; p. 133; ill. No. 236, p. 133 52-14 Elephant Fording a River, 1952; p. 135; ill. No. 240, p. 135 52-15D Rhinoceros, 1952; p. 135 52-22 'Marching Figures', 1952; p. 88; ill. No. 155, p. 90 (titled 'Untitled (Marching Figures)', dated 'c. 1950') 52-23 'Figure with Raised Arm', 1952; ill. No. 23, p. 22 (titled 'Untitled (Elongated Walking Figure)', dated 'c. 1949') 53-01 Study of a Nude, 1952 - 1953; p. 126; ill. No. 229, p. 131 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; p. 111 53-03 Study for a Portrait, 1953; p. 93; ill. No. 162, p. 93 53-07 Study for Portrait I, 1953; p. 227 53-08 Study for a Portrait II, 1953; p. 227 53-09 Study for Portrait III, 1953; p. 227 53-10 Study for Portrait IV, 1953; p. 227 53-11 Study for Portrait V, 1953; p. 227 53-12 Study for Portrait VI, 1953; p. 227 53-13 Study for Portrait VII, 1953; p. 227; ill. No. 386, p. 229 53-14 Study for Portrait VIII, 1953; p. 227 53-17 Study of a Baboon, 1953; p. 133; ill. No. 237, p. 134 53-24 Two Figures, 1953; pp. 111, 116; ill. No. 198, p. 113 53-28 The End of the Line, 1953; p. 111; ill. No. 190, p. 109 54-01 Two Figures in the Grass, 1954; p. 111 54-05 Man in Blue I, 1954; pp. 51, 124; ill. No. 214, p. 124 54-06 Man in Blue II, 1954; pp. 51, 124 54-07 Man in Blue III, 1954; pp. 51, 124 54-08 Man in Blue IV, 1954; pp. 51, 124 54-09 Man in Blue V, 1954; pp. 51, 124 54-10 Man in Blue VI, 1954; pp. 51, 124 54-11 Man in Blue VII, 1954; pp. 51, 124 54-13 Study of a Dog, 1954; p. 133 54-14 Figure with Meat, 1954; p. 191; ill. No. 333, p. 191 54-18 Figures in a Landscape, 1954; p. 206 55-16 Sketch for a Portrait of Lisa, 1955; p. 143 55-17 'Lisa Sainsbury' (?), 1955; p. 143 56-02 Head, 1956; p. 143; ill. No. 257, p. 142 56-03 Study for Portrait of Van Gogh I, 1956; p. 148 56-04 Portrait of Lisa, 1956; p. 143 56-07 Man Carrying a Child, 1956; p. 171 57-06 Study for Portrait X, 1957; pp. 33, 199; ill. No. 34, p. 33 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; p. 119; ill. No. 206, p. 119 57-10 Study for Portrait of Van Gogh II, 1957; p. 148 57-11 Study for Portrait of Van Gogh III, 1957; p. 148 57-12 Study for Portrait of Van Gogh IV, 1957; p. 148 57-13 Study for Portrait of Van Gogh V, 1957; p. 148 57-14 Study for Portrait of Van Gogh VI, 1957; p. 148; ill. No. 89, p. 149 (b&w) 57-19 Study for Portrait of P.L. No. 1, 1957; pp. 33, 51; ill. No. 35, p. 33 (b&w) 58-02 Painting, 1958; p. 171; ill. No. 309, p. 173 (b&w) 59-01 'Reclining Figure', 1959; p. 47 59-02 Lying Figure, 1959; p. 47 59-04 Seated Figure on a Couch, 1959; p. 199 59-05 Reclining Figure, 1959; pp. 47, 103, 199 59-06 Lying Figure, 1959; p. 47 59-08 Lying Figure, 1959; pp. 47, 199 59-09 Sleeping Figure, 1959; p. 199 60-01 Head of Woman, 1960; p. 103; ill. No. 176, p. 103 60-03 Man with Arm Raised, 1960; p. 111; ill. No. 191, p. 109 (b&w) 60-04 Walking Figure, 1960; p. 103 60-15 Head of Man, 1960; p. 208 61-01 Reclining Man with Sculpture, 1960 - 1961; p. 199 61-02 Reclining Woman, 1961; p. 199 61-03 Seated Woman, 1961; p. 199 61-07 Woman on a Red Couch, 1961; p. 199 61-10 Study for a Pope III, 1961; p. 111; ill. No. 194, p. 110 61-16 Seated Figure, 1961; pp. 67-69, 199 61-17 Lying Figure, 1961; p. 47 61-19 Head I, 1961; pp. 33, 208 61-20 Head II, 1961; pp. 33, 208; ill. No. 36, p. 34 61-21 Head III, 1961; pp. 33, 208 61-22 Head IV, 1961; pp. 33, 208 61-24 Seated Figure, 1961; p. 199 62-01 Portrait, 1962; p. 199 62-04 Three Studies for a Crucifixion, 1962; pp. 163, 187-188, 191 62-09 Study for Portrait of P.L., 1962; p. 199 62-10 Seated Figure on Couch, 1962; p. 199 62-12 Figure in a Room, 1962; p. 199 62-14 'Figure', 1962; ill. No. 24, p. 23 (titled 'Untitled (Figure)', dated 'c. 1970') 63-01 Lying Figure with Hypodermic Syringe, 1963; p. 47; ill. No. 71, p. 46 63-02 Man and Child, 1963; ill. No. 385, p. 229 63-06 Landscape near Malabata, Tangier, 1963; p. 137; ill. No. 251, p. 139 63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 47 63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 47 63-13 Portrait of Henrietta Moraes, 1963; p. 47; ill. No. 70, p. 46 64-03 Double Portrait of Lucian Freud and Frank Auerbach, 1964; pp. 225-226; ill. No. 376, p. 221 (right panel) 64-10 Three Figures in a Room, 1964; p. 34; ill. No. 39, p. 35 65-01 Crucifixion, 1965; p. 112; ill. No. 201, p. 115 (left panel) 65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; pp. 111, 167, 176; ill. No. 200, p. 115 65-04 Three Studies for Portrait of Isabel Rawsthorne, 1965; p. 42; ill. No 66, p. 45 (left panel) 66-10 Portrait of Isabel Rawsthorne, 1966; p. 208 66-13 Three Studies of Muriel Belcher, 1966; p. 48; ill. No. 74, p. 49 67-08 Four Studies for a Self-Portrait, 1967; p. 81; ill. No. 147, p. 82 67-09 Three Studies from the Human Body, 1967; p. 104; ill. No. 183, p. 106 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; pp. 47, 108, 132; ill. No. 68, p. 45 67-16 Triptych, 1967; pp. 47, 168, 171, 188, 191, 192, 211 68-05 Portrait of George Dyer in a Mirror, 1968; pp. 108, 171 68-07 Two Studies for a Portrait of George Dyer, 1968; p. 192, ill. No. 335, p. 193 68-08 Two Figures Lying on a Bed with Attendants, 1968; p. 176; ill. No. 315, p. 176 69-01 Three Studies of Henrietta Moraes, 1969; p. 152 69-03 Lying Figure, 1969; p. 192; ill. No. 336, p. 193 69-04 Study for Bullfight No. 1, 1969; p. 132 69-05 Study for Bullfight No 2., 1969; p. 132 69-06 Three Studies of Henrietta Moraes, 1969; p. 208; ill. No. 356, p. 208 (centre panel) 69-07 Three Studies of Lucian Freud, 1969; pp. 41, 172; ill. No. 58, p. 43 (centre panel) 69-14 Second Version of Study for Bullfight No. 1, 1969; p. 132 69-15 Study of Henrietta Moraes, 1969; pp. 122, 152; ill. No. 211, p. 121 69-17 Study for Portrait, 1969; p. 185; ill. No. 322, p. 185 (dated '1970') 70-04 Triptych - Studies from the Human Body, 1970; pp. 122, 151, 212; ill. No. 212, p. 122 70-08 Self-Portrait, 1970; p. 66; ill. No. 117, p. 65 71-02 Lying Figure in a Mirror, 1971; p. 143; ill. No. 260, p. 144 71-09 In Memory of George Dyer, 1971; pp. 34, 40, 104, 124, 152, 194; ill. No. 338, p. 195 72-01 Three Studies of Figures on Beds, 1972; p. 126; ill. No. 223, p. 127 72-07 Triptych August 1972, 1972; pp. 34, 39-40, 185, 212; ill. No. 40, p. 35 72-14 Female Nude Standing in a Doorway, 1972; p. 112; ill. No. 202, p. 115 73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 39, 41; ill. No. 43, p. 36, No. 59, p. 43 (right panel) 73-03 Triptych May-June, 1973; pp. 34, 40, 108, 206; ill. No. 41, p. 35, No. 345, p. 206 (centre panel) 73-05 Self-Portrait, 1973; p. 69; ill. No. 132, p. 71 73-06 Study for Self-Portrait, 1973; p. 69; ill. No. 133, p. 71 73-08 Figures in Movement, 1973; p. 124 74-03 Seated Figure, 1974; pp. 104, 137; ill. No. 253, p. 140 75-04 Three Studies for a Portrait of Peter Beard, 1975; p. 56; ill. No. 99, p. 58 75-07 Three Figures and Portrait, 1975; p. 104; ill. No. 180, p. 105 76-02 Figure In Movement, 1976; pp. 103, 212; ill. No. 179, p. 105 76-05 Triptych, 1976; pp. 59, 101 77-01 Triptych, 1977; pp. 39, 48; ill. No. 51, p. 38 (left panel, detail) 77-05 Triptych 1974-1977, 1974 - 1977; pp. 96, 111; ill. No. 166, p. 96 77-08 Three Studies for a Portrait (Gianni Agnelli), 1977; pp. 59-60; ill. No. 104, p. 59 78-01 Painting, 1978; pp. 147, 152, 194; ill. No. 261, p. 144 79-01 Triptych - Studies of the Human Body, 1979; pp. 108, 147 79-03 Jet of Water, 1979; p. 151 79-05 Sphinx - Portrait of Muriel Belcher, 1979; p. 48; ill. No. 75, p. 49 80-06 Carcass of Meat and Bird of Prey, 1980; p. 190; ill. No. 331, p. 190 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 137, 169, 197; ill. No. 254, p. 141 81-04 Sand Dune, 1981; p. 212 81-06 Study for Self-Portrait, 1981; p. 71; ill. No. 139, p. 76 82-05 A Piece of Waste Land, 1982; p. 195; ill. No. 337, p. 194 82-07 Three Studies for a Portrait (Mick Jagger), 1982; pp. 59-60; ill. No. 105, p. 60 82-08 Study from the Human Body - Figure in Movement, 1982; p. 212 82-10 'Kneeling Figure', 1982; p. 169; ill. No. 303, p. 168 82-11 'Kneeling Figure - Back View', 1982; ill. No. 26, p. 25 82-13 'Three Figures', 1982; ill. No. 25, p. 24 83-03 Oedipus and the Sphinx after Ingres, 1983; p. 108 83-05 Sand Dune, 1983; p. 212; ill. No. 363, p. 211 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; pp. 124, 169; ill. No. 220, p. 126 (left panel), No. 301, p. 167 (right panel) 84-04 'Blood on Pavement', 1984; p. 188 (dated 'c. 1988') 84-05 Three Studies for a Portrait of John Edwards, 1984; pp. 71, 104; ill. No. 185, p. 107 85-03 Figure in Movement, 1985; p. 169 86-02 Study for a Self-Portrait - Triptych, 1985 - 1986; p. 41; ill. No. 60, p. 43 (right panel) 86-04 Study for Portrait of Gilbert de Botton, 1986; pp. 59, 62; ill. No. 112, p. 62 86-05 Blood on the Floor - Painting, 1986; p. 188; ill. No. 327, p. 188 86-06 Study for Portrait of John Edwards, 1986; p. 55; ill. No. 91, p. 55 87-01 Triptych 1986 - 7, 1986 - 1987; pp. 55, 98 87-03 Study of the Human Body, 1987; p. 212 87-05 Triptych, 1987; pp. 108, 137, 169; ill. No. 255, p. 141, No. 299, p. 166 (centre panel) 88-01 Study for a Portrait of John Edwards, 1988; p. 55; ill. No. 92, p. 55 88-02 Study from the Human Body after Muybridge, 1988; pp. 111, 185 88-05 Second Version of Triptych 1944, 1988; p. 212; ill. No. 362, p. 211 (right panel) 88-06 Portrait of John Edwards, 1988; pp. 40, 54, 185, 212; ill. No. 53, p. 40 89-01 Study of a Man and Woman Walking, 1988 - 1989; p. 185; ill. No. 323, p. 185 89-03 Study of Portrait of John Edwards, 1989; p. 208, ill. No. 355, p. 208 92-01 'Self-Portrait', 1991 - 1992; pp. 104, 230; ill. No. 387, p. 230 (detail), No. 388, p. 231 (titled 'Untitled (Final Unfinished Portrait)') Load more Related Publications Philip McEvansoneya, 'The Chaos of Creation', 2006 Deirdre Fernand, 'Junk Shock', 2005 Michael Peppiatt, 'Book Reviews: Francis Bacon's Studio', 2006 Richard Calvocoressi, 'Diseases of the gums', 2006 Martin Harrison, 'Bacon's many sources do not explain his works', 2006 Translations Francis Bacon: Spuren im Atelier des Künstlers, 2005 Francis Bacon: l'atelier, 2006
