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Francis Bacon
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Exhibition catalogue

Details
Publisher:
New Haven: Yale University Art Gallery
Contents
Joseph Leo Koerner, 'Home/Mobility', pp. [28]-82
Marijeta Bozovic, 'Nostalgia', pp. [84]-125
Megan R. Luke, 'Transfer/Adjustment', pp. [126]-180
Frauke V. Josenhans, 'Identity', pp. [182]-234
Paintings
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Exhibitions
'Artists in Exile: Expressions of Loss and Hope', Yale University Art Gallery, New Haven, 01 September 2017 - 31 December 2017
Details
Publisher:
Chantilly: Jeu de Paume du Domaine de Chantilly
Contents
Pierre Rosenberg, 'Introduction', p. 11
Pierre Rosenberg, 'Nicolas Poussin: 'Le Massacre des Innocents'', pp. [24]-73
Marie-Anne Dupuy-Vachey, 'Fragonard et 'Le Massacre des Innocents'', pp. 74-77
Nicole Garnier-Pelle, 'Le duc d'Aumale et 'les Poussin de Chantilly'', pp. [78]-93
Regina da Costa Pinto Dias Moreira, ''Le Massacre des Innocents' de Nicolas Poussin: Restauration d'un chef-d'œuvre', pp. 94-[100]
Natacha Pernac, 'Le Massacre des Innocents, images des corps juvéniles et violence à l'épreuve des temps', pp. [102]-[124]
Émilie Bouvard, 'Poussin, Picasso, Bacon: Sur-réalité du 'Massacre des Innocents'', pp. [132]-143
Émilie Bouvard, Astrid Grange, Camilla Adami, Valerio Adami, 'Entretien avec: Camilla et Valerio Adami', pp. 144-147
Émilie Bouvard, Astrid Grange, Jean-Michel Alberola, 'Entretien avec: Jean-Michel Alberola', pp. 148-151
Émilie Bouvard, Astrid Grange, Pierre-Yves Bohm, 'Entretien avec: Pierre-Yves Bohm', pp. 152-153
Émilie Bouvard, Astrid Grange, Pierre Buraglio, 'Entretien avec: Pierre Buraglio: 'L'enfant pleure dans sa langue'', pp. 154-159
Émilie Bouvard, Astrid Grange, Vincent Corpet, 'Entretien avec: Vincent Corpet', pp. 160-161
Émilie Bouvard, Henri Cueco, 'Henri Cueco', pp. 162-167
Émilie Bouvard, 'Jacques Grinberg', pp. 168-169
Émilie Bouvard, Astrid Grange, Markus Lüpertz, 'Entretien avec: Markus Lüpertz', pp. 170-171
Émilie Bouvard, Astrid Grange, Annette Messager, 'Entretien avec: Annette Messager', pp. 172-175
Émilie Bouvard, Astrid Grange, Ernest Pignon-Ernest, 'Entretien avec: Ernest Pignon-Ernest', pp. 176-177
Émilie Bouvard, Astrid Grange, Jérôme Zonder, 'Entretien avec: Jérôme Zonder', pp. 178-179
, ''Le Massacre des Innocents', une actualité', pp. 180-[182]
Exhibitions
'Poussin 'Le Massacre des Innocents' Picasso Bacon', Jeu de Paume du Domaine de Chantilly, Chantilly, 11 September 2017 - 07 January 2018
Details
Publisher:
Montpellier: Musée Fabre
Contents
Cécile Debray, 'Introduction: A Proposal', pp. 30-39
Hervé Vanel, 'This is Fear of Death', pp. 40-55
Georges Banu, 'The Interface of the Relationship to Theatre', pp. 56-[75]
Anna Hiddleston-Galloni, 'Opening: Painting', pp. [76]-83
Annalisa Rimmaudo, 'Frame / Cage', pp. [84]-92
Caroline Cros, 'Figure with Monkey', pp. 93-103
Anna Hiddleston-Galloni, 'Movement / Animality', pp. [104]-123
Anna Hiddleston-Galloni, 'Fragment / Body', pp. [124]-[141]
Annalisa Rimmaudo, 'Ring / Rotation', pp. [142]-153
Anna Hiddleston-Galloni, 'Reflection / Portraits', pp. [154]-174
Annalisa Rimmaudo, 'The Human Condition', pp. 175-[179]
Cristina Ricupero, 'Lust for Life: On Francis Bacon and Bruce Nauman', pp. 180-[199]
Exhibitions
'Francis Bacon/Bruce Nauman. Face to face. Musée Fabre (2017) ', Musée Fabre, Montpellier, 01 July 2017 - 05 November 2017
Details
Publishers:
London: Saatchi Gallery
Shenzhen: Huawei
Contents
Glory Zhang, 'The 'selfie generation' has become the 'self-expression generation'', p. 4
Nigel Hurst, 'From selfie to self-expression', p. 5
Waldemar Januszczak, 'Here's looking at me', pp. 18-19
Roberto Marrone, ''If a mirror looks into a mirror what is there to see': Andy Warhol and the postmodernist self-portrait.', pp. 45-50
Exhibitions
'FROM SELFIE TO SELF-EXPRESSION', Saatchi Gallery, London, 31 March 2017 - 09 June 2017
By Clare Barlow (ed.)
Details
Publisher:
London: Tate Publishing
Contents
Clare Barlow, 'Introduction', pp. 10-17
Jack Halberstam, 'Framing Queer British Art', pp. 18-23
Colin Cruise, 'Coded Desires', pp. 24-47
Laura Doan, 'Public Indecency: Portrait of an X', pp. 48-67
Neil Bartlett, 'Theatrical Types', pp. 68-93
Eleanor Jones, 'Bloomsbury and Beyond', pp. 94-109
Caroline Gonda, 'Defying Convention', pp. 110-131
Andrew Stephenson, 'Arcadia and Soho', pp. 132-145
Dominic Janes, 'Public Lives, Private Passions', pp. 146-157
Catherine Howe, 'Beautiful Bodies', pp. 158-171
Exhibitions
'Queer British Art 1861-1967', Tate Britain, London, 05 April 2017 - 01 October 2017
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