Breadcrumb Bacon's World / Francis Bacon: Studies for a Portrait: Essays and Interviews Francis Bacon: Studies for a Portrait: Essays and Interviews By Michael Peppiatt Details Publisher: New Haven and London: Yale University Press Year: 2008 Language: English Pages: 272 ISBN/ISSN: 9780300142556 Other Publication Details: The essay 'An Obsession with Popes' was originally published as 'Capturing the silent scream' in Country Life, 8 Feb. 2007, pp. 82-84. Paintings 30-03 'Portrait', 1930; p. 187 (dated 'c. 1931-2') 33-01 Crucifixion, 1933; pp. 90, 257 33-03 The Crucifixion, 1933; pp. 90, 257 36-03D Abstraction from the Human Form, 1936; pp. 60, 92 44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 24, 52-53, 66, 102, 106, 113, 257-258 45-05 Figure in a Landscape, 1945; p. 66 46-01 Figure Study I, 1945 - 1946; p. 258 46-02 Figure Study II, 1945 - 1946; p. 258 46-03 Painting 1946, 1946; pp. 25, 53-54, 103, 106, 258 48-01 Head I, 1948; p. 258 49-01 Head II, 1949; p. 258 49-02 Head III, 1949; p. 258 49-03 Head IV (Man with a Monkey), 1949; p. 258 49-04 Head V, 1949; p. 258 49-07 Head VI, 1949; pp. 44-45, 258 50-02 Fragment of a Crucifixion, 1950; pp. 106-107 50-04 Study after Velázquez, 1950; pp. 44-45 50-05 'Study after Velázquez', 1950; pp. 44-45 51-02 Head, 1951; p. 165 51-04 Portrait of Lucian Freud, 1951; p. 258 51-05 Pope I, 1951; pp. 44-45, 66, 258 51-06 Pope II, 1951; pp. 44-45, 66, 258 51-07D Pope III, 1951; pp. 44-45, 258 52-05 Study of a Head, 1952; ill. unpaged, (titled 'Study for the Head of a Screaming Pope') 52-10 Study for Head, 1952; ill. unpaged 52-14 Elephant Fording a River, 1952; pp. 61, 258 52-15D Rhinoceros, 1952; p. 61 53-01 Study of a Nude, 1952 - 1953; p. 67 53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 44-45, 259; ill. unpaged 53-06 Man with Dog, 1953; p. 66 53-07 Study for Portrait I, 1953; pp. 44-45, 67, 259 53-08 Study for a Portrait II, 1953; pp. 44-45, 67, 259 53-09 Study for Portrait III, 1953; pp. 44-45, 67, 259 53-10 Study for Portrait IV, 1953; pp. 44-45, 67, 259 53-11 Study for Portrait V, 1953; pp. 44-45, 67, 259 53-12 Study for Portrait VI, 1953; pp. 44-45, 67, 259 53-13 Study for Portrait VII, 1953; pp. 44-45, 66, 67, 259 53-14 Study for Portrait VIII, 1953; pp. 44-45, 67, 259 53-15 Sphinx I, 1953; pp. 67, 112, 258 53-16 Sphinx II, 1953; pp. 67, 112, 258 53-23 Three Studies of the Human Head, 1953; p. 66 53-24 Two Figures, 1953; pp. 28, 65, 67, 94, 259 53-27 Sphinx, 1953; pp. 112, 258 53-32 'Pope', 1953; pp. 44-45 54-01 Two Figures in the Grass, 1954; pp. 28, 94 54-05 Man in Blue I, 1954; pp. 78, 80, 259 54-06 Man in Blue II, 1954; pp. 78, 80, 259 54-07 Man in Blue III, 1954; pp. 78, 80, 259 54-08 Man in Blue IV, 1954; pp. 78, 80, 259 54-09 Man in Blue V, 1954; pp. 78, 80, 259 54-10 Man in Blue VI, 1954; pp. 78, 80, 259 54-11 Man in Blue VII, 1954; pp. 78, 80, 259 54-12 Sphinx, 1954; pp. 66, 78, 112, 258 54-14 Figure with Meat, 1954; pp. 44-45, 67; ill. unpaged 54-15 Pope, 1954; pp. 44-45 55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; pp. 80, 260 55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 80, 260 55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 80, 260 55-09 Portrait of R.J. Sainsbury, 1955; pp. 79-80 55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; pp. 80, 260 55-11 Study for a Pope, 1955; pp. 44-45; ill. unpaged 55-12 Man with Head Wound, 1955; pp. 44-45 55-13 Figure Sitting, 1955; pp. 44-45 55-14 Head with Raised Arm, 1955; pp. 44-45 55-15 Study, 1955; pp. 44-45 55-16 Sketch for a Portrait of Lisa, 1955; pp. 79-80 55-17 'Lisa Sainsbury' (?), 1955; pp. 79-80 56-01 Self-Portrait, 1956; pp. 81, 260 56-03 Study for Portrait of Van Gogh I, 1956; pp. 81, 161-163, 260 56-04 Portrait of Lisa, 1956; pp. 79-80 56-05 Study for Portrait II, 1956; pp. 43, 44-45 56-06 Study for Portrait I, 1956; pp. 44-45 56-07 Man Carrying a Child, 1956; pp. 77, 260 56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; pp. 80, 260 57-08 Study for the Nurse in the film Battleship Potemkin, 1957; p. 71 57-10 Study for Portrait of Van Gogh II, 1957; pp. 81, 161-163, 260 57-11 Study for Portrait of Van Gogh III, 1957; pp. 81, 161-163, 260; ill. unpaged 57-12 Study for Portrait of Van Gogh IV, 1957; pp. 81, 161-163, 260 57-13 Study for Portrait of Van Gogh V, 1957; pp. 81, 161-163, 260; ill. unpaged, (titled 'Study for Portrait of Van Gogh I', dated '1956') 57-14 Study for Portrait of Van Gogh VI, 1957; pp. 81, 161-163, 260 57-15 Van Gogh in a Landscape, 1957; pp. 81, 161-163 57-17 Portrait of Lisa, 1957; pp. 79-80 57-18 Van Gogh Going to Work, 1957; pp. 81, 161-163 57-22 Study for Portrait, 1957; pp. 44-45 58-02 Painting, 1958; pp. 44-45 58-07 'Pope', 1958; pp. 44-45 58-08 'Pope', 1958; pp. 44-45 58-09 'Pope with Owls', 1958; pp. 44-45 59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; pp. 44-45, 84 59-13 Miss Muriel Belcher, 1959; p. 84 59-14 Head of Man - Study of Drawing by Van Gogh, 1959; pp. 81, 163 60-05 Pope No. 2, 1960; pp. 44-45 60-06 Pope No. 3, 1960; pp. 44-45 60-07 'Pope and Chimpanzee', 1960; pp. 44-45 60-08 Study for a Head, 1960; pp. 44-45 60-16 Homage to Van Gogh, 1960; pp. 81, 163 60-17 Seated Figure, 1960; pp. 44-45 61-02 Reclining Woman, 1961; p. 85 61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 261 61-08 Study for a Pope I, 1961; pp. 44-45 61-09 Study for a Pope II, 1961; pp. 44-45 61-10 Study for a Pope III, 1961; pp. 44-45 61-11 Study for a Pope IV, 1961; pp. 44-45 61-12 Study for a Pope V, 1961; pp. 44-45 61-13 Study for a Pope VI, 1961; pp. 44-45 61-19 Head I, 1961; p. 112 61-22 Head IV, 1961; p. 180 62-02 Study from Innocent X, 1962; pp. 44-45 62-03 Seated Figure, 1962; p. 180 62-04 Three Studies for a Crucifixion, 1962; pp. 90, 107-109, 261; ill. unpaged 62-10 Seated Figure on Couch, 1962; p. 85 63-01 Lying Figure with Hypodermic Syringe, 1963; ill. unpaged 63-06 Landscape near Malabata, Tangier, 1963; p. 262 63-13 Portrait of Henrietta Moraes, 1963; p. 262 63-14 Study for Portrait (with Two Owls), 1963; pp. 44-45 63-15 Three Studies for a Portrait of George Dyer, 1963; p. 262 64-10 Three Figures in a Room, 1964; p. 262 65-01 Crucifixion, 1965; pp. 109-110, 262 65-03 Study from Portrait of Pope Innocent X, 1965; pp. 44-45 65-05 Three Studies for Portrait of Lucian Freud, 1965; ill. unpaged 66-08 Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and J.H., 1966; ill. unpaged, (titled 'Three Studies for Portraits: Isabel Rawsthorne, Lucian Freud and John Hewitt') 67-08 Four Studies for a Self-Portrait, 1967; p. 187 67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; p. 132 67-16 Triptych, 1967; pp. 35, 262 (titled 'Triptych Inspired by T.S. Eliot's Poem 'Sweeney Agonistes') 69-04 Study for Bullfight No. 1, 1969; pp. 93, 262 69-05 Study for Bullfight No 2., 1969; p. 262 69-13 Self-Portrait, 1969; ill. unpaged 69-14 Second Version of Study for Bullfight No. 1, 1969; p. 262 71-04 Study of Red Pope, 1962, Second Version, 1971; pp. 44-45 71-09 In Memory of George Dyer, 1971; p. 263 73-04 Study from the Human Body (Man Turning on Light), 1973; p. 93 75-08 Two Figures, 1975; p. 94; ill. unpaged 76-05 Triptych, 1976; p. 112 76-14 Portrait of Michel Leiris, 1976; pp. 227- 228; ill. unpaged 77-01 Triptych, 1977; p. 187 78-01 Painting, 1978; p. 264 78-07 Study for Portrait (Michel Leiris), 1978; pp. 227-228 79-01 Triptych - Studies of the Human Body, 1979; p. 264 79-03 Jet of Water, 1979; p. 264 79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 112, 264 80-10 Three Studies for Self-Portrait, 1980; p. 179 81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; pp. 112, 264, 265 83-03 Oedipus and the Sphinx after Ingres, 1983; pp. 112, 265 84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 265 (titled 'Study of the Human Body - from a Drawing by Ingres') 87-05 Triptych, 1987; p. 265 87-08 Study from the Human Body, 1987; p. 266 88-05 Second Version of Triptych 1944, 1988; pp. 103, 112 (titled 'Second Version of Three Studies for Figures at the Base of a Crucifixion'), 266 Load more