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Exhibition catalogue

Details
Publisher:
Biot: Musée national Fernand Léger
Contents
Anne Dopffer, 'Vis-à-vis, trois volets d'une « exposition permanente » ?', pp. [11-15]
Julie Guttierez, 'Portrait de l'artiste en ami', pp. [17]-21
Julie Guttierez, 'De l'amitié à l'œuvre, la mécanique de la création', pp. [23-36]
Details
Publisher:
São Paulo: MASP: Museu de Arte de São Paulo Assis Chateaubriand
Contents
Laura Cosendey, 'Francis Bacon: The beauty of meat', pp. [14]-39
Rina Arya, 'Queering the œuvre: Ambiguity in Bacon', pp. [40]-67
Simon Ofield-Kerr, 'Wrestling with Francis Bacon, once again', pp. [68]-79
Gregory Salter, 'Francis Bacon in Tangier: Queer beyond Britain', pp. [80]-101
Richard Hornsey, 'Bacon's adventures in the photo booth: Queer self-presentation and the fragmenting head', pp. [102]-123
Dominic Janes, 'Francis Bacon: Meat, sex, and fetishism', pp. [124]-143
Paulo Herkenhoff, 'Francis Bacon, the cannibal, and some Brazils', pp. [144]-167
Francis Giacobetti, 'Interview with Francis Bacon', pp. [220]-227
Michael Peppiatt, 'Conversations at night', pp. [228]-243
Details
Publishers:
Riehen/Basel: Fondation Beyeler
Paris: Fondation Giacometti
Contents
Catherine Grenier, 'Violence and Compulsion', pp. 16-21
Ulf Küster, 'Bacon - Giacometti: Introduction to the Exhibition', pp. 24-167
Michael Peppiatt, 'Francis Bacon and Alberto Giacometti: Parallel Visions of a Terrible Truth', pp. 168-174
Hugo Daniel, 'Remaking the Human Image: "Reality" and the Photographic Image in the Work of Giacometti and Bacon', pp. 176-182
Details
Publisher:
New York: Hill Art Foundation
Contents
David Salle, 'Beautiful, Vivid, Self-contained', pp. [3-12]
Paintings
Details
Publisher:
London: Gagosian Gallery
Contents
Richard Calvocoressi, 'Introduction', pp. 19-23
Martin Gayford, 'Interrelations and family resemblances', pp. 25-31
Harry Thorne, Bella Freud, 'In conversation: Bella Freud with Harry Thorne', pp. 33-[37]
Harry Thorne, Jake Auerbach, 'In conversation: Jake Auerbach with Harry Thorne', pp. 39-41
Florence Hallett, 'Life as material: painting in postwar London', pp. 43-49
Richard Calvocoressi, Frank Auerbach, 'In conversation: Frank Auerbach with Richard Calvocoressi', pp. 111-117
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