Scroll up
Francis Bacon
ArtLifeBacon's WorldThe EstateNewsShop

Menu

Newsletter

Edited Volume

By Chris Stephens, David Alan Mellor, Alex Massouras, and Martin Harrison
Details
Publishers:
London: Thames & Hudson
London: The Estate of Francis Bacon
Contents
Chris Stephens, 'Richard Smith: 'Just a little off centre'', pp. 6-43
David Alan Mellor, 'A lexicon or Smith's encyclopaedia', pp. 44-67
Alex Massouras, 'From motion pictures to flight', pp. 68-83
Alex Massouras, 'Young and British', pp. 84-93
Martin Harrison, 'Coda', pp. 240-259
By Martin Harrison (ed.)
Details
Publishers:
London: The Estate of Francis Bacon
London and New York: Thames & Hudson
Contents
Martin Harrison, 'Introduction', pp. 10-17
Chris Bucklow, 'Bacon's Afterlife', pp. 18-35
Amanda J. Harrison, 'Bacon's Occult Traces', pp. 36-57
Stefan Haus, 'Between Francis Bacon and the Intellect', pp. 58-103
Sophie Pretorius, 'Work on the Barry Joule Archive', pp. 104-153
Hugh Marlais Davies, 'Bacon Diary 1973', pp. 154-217
Martin Harrison, 'Lost Bacons', pp. 218-241
By Martin Harrison (ed.)
Details
Publishers:
London: The Estate of Francis Bacon
London and New York: Thames & Hudson
Contents
Martin Harrison, 'Preface', p. 9
Francesca Pipe, 'Eric Allden's Diary', pp. 12-61
Martin Harrison, 'Diana Watson's Diary', pp. 62-87
Christopher Bucklow, 'Road, River and Rail: Bacon's Metaphors', pp. 88-119
Sarah Whitfield, 'Surprising Reality: Bacon and Bonnard', pp. 120-133
Joyce H. Townsend, 'Recent investigations into Bacon's materials and processes, c. 1935-60', pp. 134-161
Sophie Pretorius, 'A Pathological Painter: Francis Bacon and the control of suffering', pp. 162-215
By Ben Ware (ed.)
Details
Publishers:
London: The Estate of Francis Bacon
London and New York: Thames & Hudson
Contents
Howard Caygill, 'Bacon's Cynegetic Vision', pp. 20-41
Gregg M. Horowitz, 'Scratching the Surface: Distance and Intimacy in Study of Henrietta Moraes', pp. 42-55
Darian Leader, 'Revisiting the Mirror Phase', pp. 56-69
Catherine Malabou, 'From Deconstruction to Plasticity: Morphing Francis Bacon', pp. 70-93
Dany Nobus, 'From Sense to Sensation: Bacon, Pasting Paint and the Futility of Lacanian Psychoanalysis', pp. 94-117
Renata Salecl, 'The Imposture of the Self-Portrait', pp. 118-137
Ben Ware, 'Looking the Negative in the Face: Modernist Painting after Affect', pp. 138-159
Alenka Zupančič, 'Bacon and the Art of Objective Humour', pp. 160-173
Subscribe to Edited Volume